
My view
I absolutely liked this movie, it had me sitting on the edge!


Synopsis:
Based on the best selling novel by Philippa Gregory, The Other Boleyn Girl is an engrossing and sensual tale of intrigue, romance, and betrayal set against the backdrop of a defining moment in history. Two sisters, Anne (Natalie Portman) and Mary (Scarlett Johansson) Boleyn, are driven by
Based on the best selling novel by Philippa Gregory, The Other Boleyn Girl is an engrossing and sensual tale of intrigue, romance, and betrayal set against the backdrop of a defining moment in history. Two sisters, Anne (Natalie Portman) and Mary (Scarlett Johansson) Boleyn, are driven by their ambitious father and uncle to advance the family’s power and status by courting the affections of the King of England (Eric Bana). Leaving behind the simplicity of country life, the girls are thrust into the dangerous and thrilling world of court life – and what began as a bid to help their family develops into a ruthless rivalry between Anne and Mary for the love of the king. Initially, Mary wins King Henry’s favor and becomes his mistress, bearing him an illegitimate child. But Anne, clever, conniving, and fearless, edges aside both her sister and Henry’s wife, Queen Katherine of Aragon, in her relentless pursuit of the king. Despite Mary’s genuine feelings for Henry, her sister Anne has her sights set on the ultimate prize; Anne will not stop until she is Queen of England. As the Boleyn girls battle for the love of a king – one driven by ambition, the other by true affection – England is torn apart. Despite the dramatic consequences, the Boleyn girls ultimately find strength and loyalty in each other, and they remain f
orever connected by their bond as sisters.

My view:
If you are looking for a very serious version regarding the Boleyn Girls, read a historical biography. Otherwise enjoy this movie, which is accurate enough and fun to watch.

For three weeks, 14-year-old Hayley Stark has been chatting on-line with 'Lensmaster319', a 32-year old fashion photographer, named Jeff. The two agree to meet at a coffee shop called Nighthawks. They hit it off, despite the massive age difference. Hayley appears to flirt with Jeff, and Jeff generally restrains himself, even admitting that he must wait 4-years until he can be with her. But his reservations are apparently not enough to decline when Hayley all but invites herself over to his house. Once at the house, manipulation becomes the name of the game, and the pedophile or is he a pedophile seems at a disadvantage in this senario.
This movie grabed my attention from start to finish, the acting by Ellen Page is incredible, she is agless and not the nice little girl in JUNO. This movie would adapt well for a play, the interaction between the 2 characters lends itself wonderfully for a stage production. It is a must see movie.


Ellen Page (being herself)
Patrick Wilson and Ellen Page in HARD CANDY

Even Milos Forman's most ardent supporters are sure to have mixed feelings about Goya's Ghosts. As expected from the Oscar-winning director of One Flew over the Cuckoo's Nest, the production values are strong and the performances solid. Unfortunately, his fictional take on the life of subversive painter Francisco Goya (Stellan Skarsgård), circa the Spanish Inquisition, feels undercooked compared to previous issue-driven works, like The People vs. Larry Flynt. As in that film, censorship and hypocrisy take center stage. Co-written by Luis Buñuel scenarist Jean-Claude Carrière (That Obscure Object of Desire), Goya's Ghosts concerns the painter's relationships with two subjects, Brother Lorenzo (Javier Bardem) and artist’s model Ines (Natalie Portman). When Ines is suspected of practicing Judaism, she's tortured until she confesses, leading to her incarceration. With Goya's assistance, her family enlists Lorenzo to fight for her freedom, but to no avail. For his own transgressions, Lorenzo flees the country, while Ines lingers in prison. The story then skips ahead 15 years. Goya has since lost his hearing, Ines remains imprisoned, and a defrocked Lorenzo is living a life of leisure in France. After Napoleon invades Spain, the three are once again thrown into each other's orbit. Of the trio, Goya emerges as decency incarnate, Ines as a victim of religious fundamentalism, and Lorenzo as a man who found his conscience far too late to save anyone--least of all himself.
I felt so-so about this movie, it had it's moments.
